LETTRISM : ALAIN SATIE.COM

The first works

In 1964, Alain Satié conceptualized a preoccupation that was essential for him, and which recurs throughout his work: the study of light in all its states.

From this perspective, his first sculptural arrangements were the consequences of illumination. He showed his attachment to his original principles of art but reinterpreted them with a modern gesture, in which he used all of the lessons he had learned from the past. He studied solid forms (architecture), emptiness and hollowness (depth in painting), relief (shadows) and its corollary rendering light (generating color) as well as subject (theme). The totality of his work in the arts will reflect this.

Portrait imaginaire de Renati M.BipiAekoSiouComposition a-alphabétique N°2Véritable ombre chinoiseEntassementHypergraphie rouge
Alain Satié : Portrait imaginaire de Renati M.
Portrait imaginaire de Renati M. - 1964 (huile sur sac de jute imprimé) 73 x 46 cm
Présenté en 1968 au Musée d'Art Moderne du Havre : Le lettrisme
Reproduit en 1991 in Exposé sur les créations de Alain Satié de Marie Hélène Montbazet
Présenté en 1991 aux FRAC des pays de la Loire (Nantes) : Portraits et autoportraits d'une avant-garde : Le lettrisme.
Reproduit dans le catalogue de l'exposition